Vintage cars, Brazilian Klement, and a coal crisis
Working in an archive might sound monotonous to some, but the reality couldn’t be more different. The range of activities includes preparing museum exhibitions, supplying documentation for board meetings, organizing open days, and locating documents for various public events—not just in the Czech Republic. The department also closely collaborates with the museum's restoration workshop, communicates with classic car owners, and engages in many other tasks.

“Classic car owners represent a large portion of our inquiries. They might need help with restoration and are looking for vehicle-specific details, or they run into registration issues and require an official statement for the technical inspection stations,” explains Nachtmann. Such documents include details like the car’s production date, place of manufacture, and even the original type of wheels. The archive actively supports the vintage vehicle community and often directs them to suitable sources for spare parts.

Inquiries come from all over the world—one particularly active group is the Škoda Tatra Club in Australia. But questions aren’t limited to automobiles—they often cover general history or related topics. “We were once contacted by a man named Wolfgang Amadeo Klement from Brazil, who said his ancestors had emigrated from Bohemia. He was curious if he might be related to Václav Klement. Sadly, we had to disappoint him—there was no family connection,” Nachtmann recalls.
He immediately continues with another example: “Recently, we had a visit from a researcher interested in the coal crisis during World War I and how the company dealt with the fuel shortage.”
“Most researchers are looking for information related to their vehicles, and we can usually assist them online. Those who visit in person typically need deeper insights—authors of books, for instance. Here, they can examine materials in detail and uncover facts that may not have been previously known or precisely dated,” Nachtmann explains. “We also receive a number of queries from abroad, particularly from Germany, where I’ve even helped prepare several exhibitions. Occasionally, we hear from other parts of the world as well. We have a strong relationship with a private Škoda museum in Denmark, for example.”